Post by David Gordon Burke on Nov 17, 2004 11:17:20 GMT -5
We had an interesting thread going about singing and playing in the past. Since then I have actually started working on my voice again. First a little history.
I have sang off and on since I was a kid. In Primary School I was in the school choir that competed across the province of Ontario.
In various bands that I was in I did back-up vocals.
In two bands I was the lead singer or shared the lead vocal duties. One band was a Rock band and another was a Latin dance band. (Can you imagine a White guy singing in Spanish???) Very funny.
Here is the big problem. A terrible addiction to cigarettes. (For all you younger folks, don't even think of starting smoking, it is a terrible habit)
So when I am working on my voice actively, I can sing. When I stop singing regularly, I lose it. Right now it is slowly coming back to me.
We would all like to be able to sing and play at the same time like Ricky Muñoz or Albert Zamora. These guys do some amazing things on the accordion and SING at the same time.
What I am doing is working on very simple things. Even to the point of just playing songs where the accordion simply plays rythmn on chords. The other kind of tune I am working on is the type where the singing and the accordion don't happen at the same time. A little accordion, a little singing, a little accordion, a little singing.
The tunes I am working on are:
A little bit is better than Nada - Texas Tornadoes.
I found out - Flaco Jimenez
Volver, Volver - Traditional
Corrido #1 - Los Lobos
Contrabando y Traicion - LTDN
Las Tres Tumbas - Los Cadetes.
Prieta Casada - Albert Zamora
El Chubasco - Albert Zamora
Plus a few others.
So my way of thinking here is that first you need to get comfortable with the whole concept of singing and playing, looking at the keyboard when you need to OR not looking at it when you need to consentrate on the microphone, timing the singing with the little melodies that compliment the rythmn or the song and the million of other details you need to worry about when you take on this challenge.
In the end, one of the biggest challenges of playing the accordion well is TIMING. Combining the voice and the accordion is another challenge and complicates the whole timing element.
No matter what you do musically, you want to do it as if it is second nature. If you plan to sing in a band, even if it is just background vocals, the best advice I can give you (aside from these few pointers) is START NOW.
Stoney
I have sang off and on since I was a kid. In Primary School I was in the school choir that competed across the province of Ontario.
In various bands that I was in I did back-up vocals.
In two bands I was the lead singer or shared the lead vocal duties. One band was a Rock band and another was a Latin dance band. (Can you imagine a White guy singing in Spanish???) Very funny.
Here is the big problem. A terrible addiction to cigarettes. (For all you younger folks, don't even think of starting smoking, it is a terrible habit)
So when I am working on my voice actively, I can sing. When I stop singing regularly, I lose it. Right now it is slowly coming back to me.
We would all like to be able to sing and play at the same time like Ricky Muñoz or Albert Zamora. These guys do some amazing things on the accordion and SING at the same time.
What I am doing is working on very simple things. Even to the point of just playing songs where the accordion simply plays rythmn on chords. The other kind of tune I am working on is the type where the singing and the accordion don't happen at the same time. A little accordion, a little singing, a little accordion, a little singing.
The tunes I am working on are:
A little bit is better than Nada - Texas Tornadoes.
I found out - Flaco Jimenez
Volver, Volver - Traditional
Corrido #1 - Los Lobos
Contrabando y Traicion - LTDN
Las Tres Tumbas - Los Cadetes.
Prieta Casada - Albert Zamora
El Chubasco - Albert Zamora
Plus a few others.
So my way of thinking here is that first you need to get comfortable with the whole concept of singing and playing, looking at the keyboard when you need to OR not looking at it when you need to consentrate on the microphone, timing the singing with the little melodies that compliment the rythmn or the song and the million of other details you need to worry about when you take on this challenge.
In the end, one of the biggest challenges of playing the accordion well is TIMING. Combining the voice and the accordion is another challenge and complicates the whole timing element.
No matter what you do musically, you want to do it as if it is second nature. If you plan to sing in a band, even if it is just background vocals, the best advice I can give you (aside from these few pointers) is START NOW.
Stoney